In a graduate student residence at Oxford University in the early 1990s, Kevin, an Irish Montrealer, meets Leon, a London Jew from a Communist family, and Alex, a Soviet defector’s son brought up in Toronto. When Alex begins to tutor a charming yet troubled upper-class English undergraduate, the dynamics in their conflicted three-way friendship culminate in Kevin and Leon playing a prank on Alex. The act’s disastrous outcome binds the three young men together emotionally even as it dispatches them on separate courses through the 1990s.
Ranging from a precisely and ironically evoked Oxford, which parodies that of Evelyn Waugh’s Brideshead Revisited, to post-Referendum Montreal, war-ravaged former Yugoslavia, London, Moscow, Poland and Berlin, The World of After depicts the 1990s as an interlude of freedom and confused but enriching self-discovery between the rigidity of the Cold War and the stark divisions of the post-September 11, 2001 world. Kevin struggles to find love, recover a friendship he has betrayed and chart a world he no longer understands as Leon dodges his past and Alex descends into a criminal culture that leads to a confrontation with his own values.
